With the support of the Tyler Graphics team, Frank Stella was able to create innovative prints that radically reinterpreted the possibilities of printmaking processes and materials. One of our favourite stories about working with Stella is Rodney Konopaki’s recollections of using 17,000 Q-tips to remove ink from the intaglio plates for the Swan engravings series. This project, which developed concurrently with the ground-breaking Circuits series, was radical for the way sculptural cut-offs were assembled onto a board to create a […]
The creation of the three dimensional Moby Dick (domes) series 1992 was one of the most technically challenging printmaking projects that Kenneth Tyler and Stella undertook in over thirty years of collaboration. To achieve their ambition of creating an edition of sculptural prints, Tyler and his team spent nearly six years perfecting a process that literally pushed printmaking into a new dimension.
Categories: Artists, Behind-the-scenes, Technique Tuesday, Tyler Graphics Ltd • Tags: Art, artists, Behind-the-scenes, etching, Frank Stella, Herman Melville, intaglio, Ken Tyler, Kenneth Tyler, lithography, Moby Dick, National Gallery of Australia, paper, papermaking, printmaking, prints, relief printing, Stella, Tyler Collection, Tyler Graphics, Tyler Graphics Ltd, works on paper
Anthony Kirk was head of the etching department at Tyler Graphics from 1988 until 2000. Here, Kirk reflects on his experiences at TGL
Categories: Behind-the-scenes, Tyler Graphics Ltd • Tags: Anthony Kirk, aquatint, Center for Contemporary Printmaking, etching, Frank Stella, Helen Frankenthaler, intaglio, Joan Mitchell, John Walker, Kenneth Tyler, master printer, Tyler Graphics Ltd